Online Entertainment Market by Form (Video, Audio, Games, Internet Radio, and Others), Revenue Model (Subscription, Advertisement, Sponsorship, and Others), Devices (Smartphones; Smart TVs, Projectors, & Monitors; Laptop, Desktops, & Tablets; and Others): Global Opportunity Analysis and Industry Forecast 2021–2027
- ALL3935232
- 296 Pages
- June 2020
- Consumer Goods
Online entertainment involves accessing entertainment material, including music, videos, books, and games over internet. Surge in internet penetration and increase in adoption of smart devices such as smartphones, smart TVs, and laptops have boosted the number of netizens who have shifted their preference toward online entertainment.
Presently, online social media entertainment has gained major popularity, as people are getting increasingly involved in producing videos, music, and images on various social media platforms such as Instagram, Facebook, Tumblr, LinkedIn, and WhatsApp. Thus, increase in popularity of social media platforms is expected to boost the growth of the online entertainment market during the forecast period.
Surge in penetration of smartphones is the key factor that drives the growth of the online entertainment market. This is attributed to the fact that smartphones are majorly used for social media accessing, playing online games, watching movies, and listening to music. The growth of the global market is further driven by decrease in cost of internet charges and technological advancements in smartphones such as introduction of mobile phones supporting 5G network, folding smartphones, 3D-enabled mobile phones, and artificial intelligence- & augmented reality-integrated phones. 3D enabled smartphones allows recording a stereoscopic images and videos. Furthers it doubles the joy of playing video games and seeing movies. Artificial intelligence is revolutionizing in the way video games are played and developed. It will be used to improve the game-player experience and allows players to perform any action in a virtual world that they could in the real one. Furthermore, mobile phones that support augmented reality enhance the visual experience while seeing movies and playing games, which contributes toward the growth of the market.
Over-the-top media service is a streaming media service offered directly to viewers via the internet. The OTT content can be directly downloaded or viewed on users’ demand. Proliferation in adoption of internet-enabled devices such as smart TVs, YouTube TVs, and smartphones significantly promotes the growth of the OTT media services, which, in turn, is expected to augments the growth of the online entertainment market over the forecast period. Some of the OTT media service providers operating in the market include Netflix, Inc., Hulu, LLC, Amazon.com, Inc., and Google LLC.
However, digital illiteracy and lack of digital infrastructure such as digital communication, computing or data storage, Wi-Fi network, applications, and software limit the growth of the online entertainment market. On the contrary, increase in internet user base and technological development in smart devices are expected to offering lucrative growth opportunity for new entrants in the online entertainment market.
The report segments the global online entertainment market into form, revenue model, device, and region On the basis of form, the market is categorized into video, audio, games, internet radio, and others. By revenue model, it is segregated into subscription, advertisement, sponsorship, and others. Depending on device, it is divided into smartphones; smart TVs, projectors, & monitors; laptop, desktops, & tablets; and others. Region wise, it is analyzed across North America (the U.S., Canada, and Mexico), Europe (Germany, the UK, France, Russia, Italy, Spain, and rest of Europe), Asia-Pacific (China, India, Japan, Australia, South Korea, and rest of Asia-Pacific), and LAMEA (Latin America, the Middle East, and Africa).
The major players operating in the market are Amazon Web Services (AWS), Netflix, Inc., Google LLC, Facebook, Tencent Holdings Ltd., Sony Corp, King Digital Entertainment Ltd., Spotify Technology S.A., Rakuten, Inc., and CBS Corporation.
KEY BENEFITS FOR STAKEHOLDERS
• The study provides an in-depth analysis of the global online entertainment market, with current and future trends to elucidate the imminent investment pockets in the market.
• Current and future trends are outlined in the report to determine the overall market attractiveness and single out profitable trends to gain a stronger foothold in the market.
• The report provides information regarding drivers, restraints, and opportunities with impact analysis.
• A quantitative analysis of the current market and estimation for the same from 2019 to 2027 is provided to showcase the financial competency of the market.
• Porter’s five forces model of the industry illustrates competitiveness of the market by analyzing various parameters such as threat of new entrants, threat of substitutes, bargaining power of the buyers, and bargaining power of the suppliers operating in the market.
• Value chain analysis in the report provides a clear understanding of the roles of stakeholders involved in the value chain.
• Competitive intelligence highlights business practices followed by leading market players across various regions.
KEY MARKET SEGMENTS
• By Form
o Video
o Audio
o Games
o Internet Radio
o Others
• By Revenue Model
o Subscription
o Advertisement
o Sponsorship
o Others
• By Device
o Smartphones
o Smart TVs, Projectors & Monitors.
o Laptop, Desktops & Tablets
o Others
• By Region
o North America
§ U.S.
§ Canada
§ Mexico
o Europe
§ Germany
§ UK
§ France
§ Russia
§ Italy
§ Spain
§ Rest Of Europe
o Asia-Pacific
§ China
§ India
§ Japan
§ Australia
§ South Korea
§ Rest of Asia-Pacific
o LAMEA
§ Latin America
§ Middle East
§ Africa
1.1.Report description
1.2.Key benefits for stakeholders
1.3.Key market segments
1.4.Research methodology
1.4.1.Secondary research
1.4.2.Primary research
1.4.3.Analyst tools and models
CHAPTER 2:EXECUTIVE SUMMARY
2.1.Key findings of the study
2.2.CXO perspective
CHAPTER 3:MARKET OVERVIEW
3.1.Market definition and scope
3.2.Key findings
3.2.1.Top investment pockets
3.3.Value chain analysis
3.4.Porter’s five forces analysis
3.4.1.High bargaining power of suppliers
3.4.2.Low bargaining power of buyers
3.4.3.Moderate threat of substitution
3.4.4.High threat of new entrants
3.4.5.High intensity of competitive rivalry
3.5.Market dynamics
3.5.1.Drivers
3.5.1.1.Technological advancements in smartphones
3.5.1.2.Low data tariffs along with increase in smartphone penetration
3.5.1.3.Surge in disposable income
3.5.2.Restraints
3.5.2.1.Digital illiteracy and limited digital infrastructure
3.5.3.Opportunities
3.5.3.1.Digital transformation in media & entertainment industry
3.5.3.2.Surge in expenditure on digital advertisement
CHAPTER 4:ONLINE ENTERTAINMENT MARKET, BY FORM
4.1.Overview
4.1.1.Market size and forecast
4.2.Video
4.2.1.Key market trends, growth factors, and opportunities
4.2.2.Market size and forecast
4.3.Audio
4.3.1.Key market trends, growth factors, and opportunities
4.3.2.Market size and forecast
4.4.Games
4.4.1.Key market trends, growth factors, and opportunities
4.4.2.Market size and forecast
4.5.Internet radio
4.5.1.Key market trends, growth factors, and opportunities
4.5.2.Market size and forecast
4.6.Others
4.6.1.Key market trends, growth factors, and opportunities
4.6.2.Market size and forecast
CHAPTER 5:ONLINE ENTERTAINMENT MARKET, BY REVENUE MODEL
5.1.Overview
5.1.1.Market size and forecast
5.2.Subscription
5.2.1.Key market trends, growth factors, and opportunities
5.2.2.Market size and forecast
5.3.Advertisement
5.3.1.Key market trends, growth factors, and opportunities
5.3.2.Market size and forecast
5.4.Sponsorship
5.4.1.Key market trends, growth factors, and opportunities
5.4.2.Market size and forecast
5.5.Others
5.5.1.Key market trends, growth factors, and opportunities
5.5.2.Market size and forecast
CHAPTER 6:ONLINE ENTERTAINMENT MARKET, BY DEVICE
6.1.Overview
6.1.1.Market size and forecast
6.2.Smartphones
6.2.1.Key market trends, growth factors, and opportunities
6.2.2.Market size and forecast
6.3.Smart TVs, projectors, & monitors
6.3.1.Key market trends, growth factors, and opportunities
6.3.2.Market size and forecast
6.4.Laptop, desktops, & tablets
6.4.1.Key market trends, growth factors, and opportunities
6.4.2.Market size and forecast
6.5.Others
6.5.1.Key market trends, growth factors, and opportunities
6.5.2.Market size and forecast
CHAPTER 7:ONLINE ENTERTAINMENT MARKET, BY REGION
7.1.Overview
7.1.1.Market size and forecast, by region
7.2.North America
7.2.1.Key market trends, growth factors, and opportunities
7.2.2.Market size and forecast, by form.
7.2.3.Market size and forecast, by revenue model
7.2.4.Market size and forecast, by device
7.2.5.Market size and forecast, by country
7.2.5.1.U.S.
7.2.5.1.1.Market size and forecast, by form
7.2.5.1.2.Market size and forecast, by revenue model
7.2.5.1.3.Market size and forecast, by device
7.2.5.2.Canada
7.2.5.2.1.Market size and forecast, by form
7.2.5.2.2.Market size and forecast, by revenue model
7.2.5.2.3.Market size and forecast, by device
7.2.5.3.Mexico
7.2.5.3.1.Market size and forecast, by form
7.2.5.3.2.Market size and forecast, by revenue model
7.2.5.3.3.Market size and forecast, by device
7.3.Europe
7.3.1.Key market trends, growth factors, and opportunities
7.3.2.Market size and forecast, by form
7.3.3.Market size and forecast, by revenue model
7.3.4.Market size and forecast, by device
7.3.5.Market size and forecast, by country
7.3.5.1.Germany
7.3.5.1.1.Market size and forecast, by form
7.3.5.1.2.Market size and forecast, by revenue model
7.3.5.1.3.Market size and forecast, by device
7.3.5.2.UK
7.3.5.2.1.Market size and forecast, by form
7.3.5.2.2.Market size and forecast, by revenue model
7.3.5.2.3.Market size and forecast, by device
7.3.5.3.France
7.3.5.3.1.Market size and forecast, by form
7.3.5.3.2.Market size and forecast, by revenue model
7.3.5.3.3.Market size and forecast, by device
7.3.5.4.Russia
7.3.5.4.1.Market size and forecast, by form
7.3.5.4.2.Market size and forecast, by revenue model
7.3.5.4.3.Market size and forecast, by device
7.3.5.5.Italy
7.3.5.5.1.Market size and forecast, by form
7.3.5.5.2.Market size and forecast, by revenue model
7.3.5.5.3.Market size and forecast, by device
7.3.5.6.Spain
7.3.5.6.1.Market size and forecast, by form
7.3.5.6.2.Market size and forecast, by revenue model
7.3.5.6.3.Market size and forecast, by device
7.3.5.1.Rest of Europe
7.3.5.1.1.Market size and forecast, by form
7.3.5.1.2.Market size and forecast, by revenue model
7.3.5.1.3.Market size and forecast, by device
7.4.Asia-Pacific
7.4.1.Key market trends, growth factors, and opportunities
7.4.2.Market size and forecast, by form
7.4.3.Market size and forecast, by revenue model
7.4.4.Market size and forecast, by device
7.4.5.Market size and forecast, by country
7.4.5.1.China
7.4.5.1.1.Market size and forecast, by form
7.4.5.1.2.Market size and forecast, by revenue model
7.4.5.1.3.Market size and forecast, by device
7.4.5.2.India
7.4.5.2.1.Market size and forecast, by form
7.4.5.2.2.Market size and forecast, by revenue model
7.4.5.2.3.Market size and forecast, by device
7.4.5.3.Japan
7.4.5.3.1.Market size and forecast, by form
7.4.5.3.2.Market size and forecast, by revenue model
7.4.5.3.3.Market size and forecast, by device
7.4.5.4.Australia
7.4.5.4.1.Market size and forecast, by form
7.4.5.4.2.Market size and forecast, by revenue model
7.4.5.4.3.Market size and forecast, by device
7.4.5.5.South Korea
7.4.5.5.1.Market size and forecast, by form
7.4.5.5.2.Market size and forecast, by revenue model
7.4.5.5.3.Market size and forecast, by device
7.4.5.6.Rest of Asia-Pacific
7.4.5.6.1.Market size and forecast, by form
7.4.5.6.2.Market size and forecast, by revenue model
7.4.5.6.3.Market size and forecast, by device
7.5.LAMEA
7.5.1.Key market trends, growth factors, and opportunities
7.5.2.Market size and forecast, by form
7.5.3.Market size and forecast, by revenue model
7.5.4.Market size and forecast, by device
7.5.5.Market size and forecast, by country
7.5.5.1.Latin America
7.5.5.1.1.Market size and forecast, by form
7.5.5.1.2.Market size and forecast, by revenue model
7.5.5.1.3.Market size and forecast, by device
7.5.5.2.Middle East
7.5.5.2.1.Market size and forecast, by form
7.5.5.2.2.Market size and forecast, by revenue model
7.5.5.2.3.Market size and forecast, by device
7.5.5.3.Africa
7.5.5.3.1.Market size and forecast, by form
7.5.5.3.2.Market size and forecast, by revenue model
7.5.5.3.3.Market size and forecast, by device
TABLE 01.GLOBAL ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 02.ONLINE VIDEO ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 03.ONLINE AUDIO ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 04.ONLINE GAMES ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 05.ONLINE INTERNET RADIO ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 06.ONLINE OTHERS ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 07.GLOBAL ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 08.ONLINE SUBSCRIPTION ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 09.ONLINE ADVERTISEMENT ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 10.ONLINE SPONSORSHIP ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 11.ONLINE OTHERS ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 12.ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 13.ONLINE ENTERTAINMENT MARKET REVENUE FOR SMARTPHONES, BY REGION, 2019–2027 ($MILLION)
TABLE 14.ONLINE ENTERTAINMENT MARKET REVENUE FOR SMART TVS, PROJECTORS, & MONITORS, BY REGION, 2019–2027 ($MILLION)
TABLE 15.ONLINE ENTERTAINMENT MARKET REVENUE FOR LAPTOP, DESKTOPS, & TABLETS, BY REGION, 2019–2027 ($MILLION)
TABLE 16.ONLINE ENTERTAINMENT MARKET REVENUE THROUGH OTHER DEVICES, BY REGION, 2019–2027 ($MILLION)
TABLE 17.ONLINE ENTERTAINMENT MARKET REVENUE, BY REGION, 2019–2027 ($MILLION)
TABLE 18.NORTH AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 19.NORTH AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 20.NORTH AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 21.NORTH AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 22.U.S. ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 23.U.S ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 24.U.S. ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 25.CANADA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 26.CANADA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 27.CANADA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 28.MEXICO ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 29.MEXICO ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 30.MEXICO ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 31.EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 32.EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 33.EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 34.EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 35.GERMANY ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 36.GERMANY ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 37.GERMANY ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 38.UK ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 39.UK ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 40.UK ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 41.FRANCE ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 42.FRANCE ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 43.FRANCE ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 44.RUSSIA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 45.RUSSIA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 46.RUSSIA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 47.ITALY ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 48.ITALY ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 49.ITALY ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 50.SPAIN ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 51.SPAIN ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 52.SPAIN ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 53.REST OF EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 54.REST OF EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 55.REST OF EUROPE ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 56.ASIA-PACIFIC ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 57.ASIA-PACIFIC ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 58.ASIA-PACIFICONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 59.ASIA-PACIFIC ONLINE ENTERTAINMENT MARKET REVENUE, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 60.CHINA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 61.CHINA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 62.CHINA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 63.INDIA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 64.INDIA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 65.INDIA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 66.JAPAN ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 67.JAPAN ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 68.JAPAN ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 69.AUSTRALIA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 70.AUSTRALIA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 71.AUSTRALIA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 72.SOUTH KOREA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 73.SOUTH KOREA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 74.SOUTH KOREA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 75.REST OF ASIA-PACIFIC ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 76.REST OF ASIA-PACIFIC ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 77.REST OF ASIA-PACIFIC ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 78.LAMEA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 79.LAMEA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 80.LAMEA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 81.LAMEA ONLINE ENTERTAINMENT MARKET REVENUE, BY COUNTRY, 2019–2027 ($MILLION)
TABLE 82.LATIN AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 83.LATIN AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 84.LATIN AMERICA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 85.MIDDLE EAST ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 86.MIDDLE EAST ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 87.MIDDLE EAST ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
TABLE 88.AFRICA ONLINE ENTERTAINMENT MARKET REVENUE, BY FORM, 2019–2027 ($MILLION)
TABLE 89.AFRICA ONLINE ENTERTAINMENT MARKET REVENUE, BY REVENUE MODEL, 2019–2027 ($MILLION)
TABLE 90.AFRICA ONLINE ENTERTAINMENT MARKET REVENUE, BY DEVICE, 2019–2027 ($MILLION)
Similar Reports
Refrigerated display cases are cabinets with glass surfaces for items, which require cooling or preservation. The cases are ideal for products requiring a regulated temperature to maintain the freshness. These are mostly used in retail stores and food & re...
- Publish Date: May 5, 2016
- $5370
Probiotics are microorganisms, such as bacteria and yeast, that are very useful to sustain the balance of intestinal microbial in human and animal body. Probiotic ingredients stimulate natural digestive juices and enzymes in the body to ensure proper functio...
- Publish Date: August 1, 2016
- $5370
Wearable technology refers to electronics devices that are designed to be worn anywhere around the body thereby enabling hands free operations. Wearable technology products have gained popularity over the past few years, with advancements in technology an...
- Publish Date: April 6, 2017
- $5370
